Conference and workshop papers
- Panariello, C, and Déguernel, K. (2026). OTIAC - Co-Improvising With a Musical Agent in a Feedback-Based Guitar Performance. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME).
- Percivati, C. and Panariello, C. (2024). WYPYM - Were you a part of your mother?. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME).
- Panariello C., & Frid, E. (2023). SuperOM: a SuperCollider Class to Generate Music Scores in OpenMusic. Proceedings of the International Conference on Technologies for Music Notation and Representation (TENOR).
- Panariello, C., & Percivati, C. (2023). “WYPYM”: A Study for Feedback-Augmented Bass Clarinet. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME).
- Frid E. & Panariello. C. (2022). Haptic Music Players for Children with Profound and Multiple Learning Disabilities (PMLD) – Exploring Different Modes of Interaction for Felt Sound. Proceedings of the International Congress on Acoustics (ICA).
- Bresin, R., Frid, E., Latupeirissa, A., & Panariello, C. (2021). Robust Non-Verbal Expression in Humanoid Robots: New Methods for Augmenting Expressive Movements with Sound. In Workshop on Sound in Human-Robot Interaction, Proceedings of the ACM/IEEE International Conference on Human-Robot Interaction (HRI).
- Latupeirissa, A. B., Panariello, C., & Bresin, R. (2020). Exploring Emotion Perception in Sonic HRI. In Proceedings of the Sound and Music Computing Conference (SMC).
- Panariello, C., Sköld, M., Frid, E., & Bresin, R. (2019). From Vocal Sketching to Sound Models by Means of a Sound-Based Musical Transcription System. In Proceedings of the Sound and Music Computing Conference (SMC).
Journal articles
- Latupeirissa A. B., Panariello C. & Bresin R. (2023). “Probing Aesthetics Strategies for Robot Sound: Complexity and Materiality in Movement Sonification.” Transactions on Human-Robot Interaction.
- Frid, E., Panariello, C., & Núñez-Pacheco, C. (2022). “Customizing and Evaluating Accessible Multisensory Music Experiences with Pre-Verbal Children—A Case Study on the Perception of Musical Haptics Using Participatory Design with Proxies.” Multimodal Technologies and Interaction, 6(7), 55.
- Panariello, C., & Bresin, R. (2022). “Sonification of Computer Processes: The Cases of Computer Shutdown and Idle Mode.” Frontiers in Neuroscience, 16.
- Panariello C. (2020). “Study in Three Phases: An Adaptive Sound Installation.” Leonardo Music Journal, 30, 44-49.
- Panariello, C. (2016). “Le Berceuse di Aldo Clementi: I (1979) e II (1989).” Civiltà Musicale n.70, LoGisma, 105-112.
Book chapters and other writings
- Panariello C. (2023). On the possibility of cultivating shadows. in SYNCHRONICITIES, a cura di Virginia Guidi e Carlo Caloro, Maretti Editore, ISBN 978-88-9397-068-6.
- Panariello, C. (2021). Prefazione to d.a.t. [divulgazioneaudiotestuale] n.8, ISSN 2611-0121, ISBN 979-12-80064-13-4.
Dissertation
- Panariello, C. (2023). Converging Creativity: Intertwining Music and Code [Doctoral dissertation, KTH Royal Institute of Technology].